In Edible Ghosts, human presence emerges not from form, but from absence.

Each portrait is carved in negative space — silhouettes of faces and gestures etched into the bodies of vegetables. The organic material becomes a frame; the void becomes the subject. These figures are not assembled, but revealed, outlined by what surrounds them.

The series explores the fragile boundary between the perishable and the permanent, the body and its echo, the edible and the symbolic. The human becomes ghost — present only in shape, consumable only by gaze.