These works don’t belong to a single series. They meet through collision — classical faces, botanical fragments, ordinary objects and decorative forms placed together until something familiar begins to behave differently.
Some combinations feel deliberate, others almost accidental. That uncertainty is part of the image. Recognition slips, proportions shift, and what should not belong together somehow does.
Beautiful Errors is less a theme than a condition: images held together by misalignment, excess and improbable association. Nothing is corrected back into place.
